Inside the Livecoding Algorave Movement

You want the future of music? Here’s one idea. They call it Algorave (via CDM)

“You can’t really separate music from community.”

“I see the same motivation behind wiring and re-wiring a modular synthesizer and modifying live code while it runs.”

“I like the folk music model where people borrow tunes from each other all the time. Free/open source music fits into that nicely.”

Listen:

Way, way, WAY more over at CDM Blogs.

Get into it! Our June classes are a shocking 15% until Friday and computer music is what Ableton is all about. Email me.

The Sound Science Behind “Yanny” vs “Laurel”

The Sound Science Behind “Yanny” vs “Laurel” via @AsapSCIENCE

For more in-depth information here’s a Neuroscientist Explaining Further via @Wired:

A Soundtrack for Spiritual Awakening

Jon Hopkins makes gentle music with hidden depths.

Celebrated music writer Kelefa Sanneh reviews Jon Hopkins new album Singularity for the New Yorker. Mr. Hopkins was the first artist we collaborated on bringing to Boston five years ago.

[Singularity] is both the gentlest and the most epic of Hopkins’s career. — Kelefa Sanneh

Sanneh talks about Hopkins‘ early on being “seduced by the Roland TB-303,” how Singularity signaled his transition from Logic into Ableton, and which Spotify playlists he comes up on.

As an inspiration for our school, and for many of our students, Hopkins’ release is something to celebrate to be sure. After the 6 years and 7 months (!!) since we brought the acclaimed producer to Great Scott, we’re happy to see him remain

one of the most celebrated musicians of his generation

and be

one of music’s great minds operating in peak form.

Start your musical journey today: polina@mmmmaven.com.

RA Chimes in on Ableton 10

Our favorite music website of record, Resident Advisor, routinely reviews tech of all stripes.

After clicking around for the last few weeks, they’ve come to the conclusion that the landmark Ableton 10 deserves a 4.4 / 5. As they say:

Ableton’s stated goal with Live 10 is to remove barriers between the musician and the music. So while the headlines surrounding the update announcement centred on a range of new devices, the decidedly less sexy truth is that removing barriers to creativity requires a ream of small workflow improvements.

Read their take on the rest of the new features in the program, including Capture, Chase MIDI Notes, Pedal, and much more, here.

Here’s our Ableton instructor Subalias talking about Ableton Live 10.