Most recently, producer Baauer – who topped the US charts in 2012 with his viral track Harlem Shake – made Hate Me with Lil Miquela, an artificial digital Instagram avatar.
“The first computer-generated score, a string quartet called the Illiac Suite, was developed in 1957 by Lejaren Hiller (MIT), and was met with massive controversy among the classical community.”
“Fast forward to 1980, and after an insufferable bout of composer’s block, California music professor David Cope began building a computer that could read music from a database written in numerical code.”
“YouTube singing sensation Taryn Southern has constructed an LP composed and produced completely by AI using a reworking of Cope’s methods.”
“Southern uses an open source AI platform called Amper to input preferences such as genre, instrumentation, key and beats per minute. Amper is an artificially intelligent music composer founded by film composers Drew Silverstein, Sam Estes and Michael Hobe.”
Throughout history, musicians and instrument makers have been experimenting with different ways of producing sound and melody. Some of the contraptions created have become a standard in the musical world. The others, the ones that are more experimental or obscure, are pushing the borders of sound and inspiring musicians to pursue new horizons.
It was hard not to marvel at what Together has created in the last nine years.
As Boston’s Together festival closed last month, we were again put into the spotlight by the arbiter of the world dance music community: Resident Advisor.
In the article, Drum and Bass legend Lenore is respectfully named “one of Boston’s most important DJs,” Houseboi is now an “opening-night tradition,” recent SF transplant Aaron Jen is lauded for his “masterclass” of an opening set, and the mighty DJ Kon is (obviously) the “edit master.”