If you’re doing it right, you already know that Ableton, the Berlin-based music software giant, has announced Live 10, the first major upgrade in the DAW in five years.
Here is what the web is saying:
Fact Magazine: “gigantic list of improvements” “the most significant change is that Max for Live is now fully integrated into Live” “new multi-channel audio routing capability for surround sound performances” “improved modulation”
The Verge: “a lot of new, notable changes to Live.” “One of the more exciting new features in Live 10 might be initially glossed over by many: Collections.” “at last, the option to export audio as .MP3.”
Engadget: “if you start playback mid-note, you won’t hear it — annoying for long strings sounds, for example. A new “Note chasing” feature solves that” “For those (like me) who seem to give their best performance while not recording, there’s ‘Capture.'”
DJ Mag: “At the top of the list is a new instrument called Wavetable” “a much needed new delay plugin Echo has been added” “the ability to edit multiple MIDI clips at once”
A lot of my drums are just people picking up new ammo and weapons in games. — Burial
Mixmag goes underground with our friends Ikonika, Tokimonsta, and–well, maybe someday–Burial in a grand expose on video game music’s influence on the latest sounds.
Rustie is another artist who flipped perceptions of dance music on their head and ushered in a new generation of producers with his 2011 record ‘Glass Swords’ arriving stylistically similar to, and packed full of hyperactive noises from games such as Zelda.
Of course, Mmmmaven’s five-year mission is to support the unification of music and technology, and articles like this make every sense in the world.
Just take this quote from Make It New alum Ikonika: “My life feels more like a game than a movie. Music is the biggest game I’m playing.”
Richard Nordin was an army brat originally from Pittsburgh, who eventually found himself going to school in Worcester, MA. The mundane, seemingly nonexistent, nightlife scene in Worcester motivated him to finish school as quickly as possible, which would allow him to relocate to Boston, where the nightlife scene was thriving, full of life, creativity, and diversity.
He got his start DJing at the underground venue Red Tail in Manchester, NH. After attending Mmmmaven’s Make It New events, it sparked his interest in producing music. He loved the focus on underground music at Make It New, which led him to take music production classes at Mmmmaven. He not only took Production 101 and 102, but he took them twice.
“The producers I studied with were really gifted and intelligent and I could come in looking at any particular genre and the teachers would bend to whatever genre I wanted to learn production skills in.”
Nordin has gone on to play at Burning Man and notes Kink and House of Prayers as a couple of his musical influences. His long term goal is to utilize his knowledge and creativity to create music for the underground music scene. He started Houseboi, an event held the first Wednesday every month, which he also manages. It features performances that include singing, burlesque, drag, and is queer friendly. The characters are colorful, and the show is welcoming to all humans and their friends.
His advice for anyone interested in learning how to DJ or produce: put in the time, take plenty of notes, do your homework, and treat it like a second job.