RE: #Blockchain: 5 Start-Ups To Watch

Via Music x Tech x Future

Tickets Cloud founder Katerina Kirillova highlights some of the companies hoping to revolutionise the music business using blockchain technology.

KickCity:

Blockchain has a good shot at … making the whole booking process more transparent

Crypto.Tickets

A high level of centralisation generates profits only for a small group of people, while the majority of others involved in the industry are left struggling.”

Viberate:

Artists control their pricing, distribution, and revenue splits for streaming and sales, with more than 20 times the earning potential of the streaming platforms.

TokenFM

This incentive transforms passive listeners into active promoters that stand to benefit financially when their favorite artists benefit.

PeerTracks

Imagine a trust network providing the basis for attendees to pass through ‘priority lanes’, avoiding bag searches and scans.

Read the interviews with these music innovators and much more at IQ-Net.

Want to get involved in music technology yourself? #TalkToTak

3 Reasons to Make It New Tonight

1. It’s free of charge before 11pm

Typically, when we bring in one or another world-renowned artists, costs can approach $20 (still relatively low!), but tonight is a great example of a time to invite your friends, your family, or, well, anyone to listen to the future sounds Baltimoroder and Coralcola can provide.

2. The sound system will be primed.

If you’ve not been to Make It New in a while, original resident, (and original Mmmmaven instructor) and audio engineer Baltimoroder has funneled his 13 years of experience at Middlesex Lounge and put it into the sounds system. Our advice? Stand at the back in the middle for the best audio experience.

3. The music will be fantastic

There’s a reason why Mikey and Erik have played Make It New for so long? Listen:



Are you going? Let us know how you like it with the hashtag #MakeItNew

#LoopBerlin on the Web

We had serious #FOMO this weekend as Loop Berlin, fast becoming the most cutting-edge music festival in the entire world, took place at the Funkhaus Berlin. Without our superstar intern Katharine to write about it, we’ve selected some of our favorite posts from the weekend.

Honored guest and new music pioneer Goldie had some interesting quips about the democratization of electronic music:

Ethan Hein, music educator at NYU’s @musedlab pointed out how useful computer music is in education:

With the recent Ableton purchase of Max for Live developers Cycling74, of course they made an appearance:

And BOTH original Together Boston (#tgthr1) guests, Machine Drum and DJ/Rupture (h/t @BeatReasearch), had interesting talks on the power of process:

While JLin was the first to admit trusting yourself is the first step:

Then, of course, came the real stars of the show, the astonishing now of Loop’s incredible installations and performances:

🕸#loopberlin #loopberlin2017 #abletonlive

A post shared by Tom Hall (@tomhallsonics) on

#loopberlin #loopberlin2017 #amazing #loopcolors in #berlin #musicmakers #meeting

A post shared by Nico Tagliente (@nicotagliente) on

Found the dancefloor. #loopberlin

A post shared by PTL//ZZZ (@petulapetula) on

3Destruction #antivj #installation #ableton #loopberlin

A post shared by Tommi Toivonen (@hullum) on

Another (purely electronic) Jam Session @ #LoopBerlin

A post shared by Luca (@goldamlu) on

It seems the closing performance of Nosaj Thing stole the show in the end, perfectly capturing one of the catchphrases born at #LoopBerlin:

The Screen is Your Stage

I have seen no such thing like this before. @nosajthing #loopberlin

A post shared by Will Kuhn (@willkuhn) on

BONUS GRAM! We caught former Together New Business Developer and long-time friend of all of ours, Coleman (@onelikecodiac), on the job:

Artist relations, late stage. #loopberlin

A post shared by Dennis DeSantis (@dennisdesantis) on

Want to learn more? You’re in luck. This Friday we have a free seminar with an Ableton super-user! RSVP:

Ableton Live 10 Around the Web

If you’re doing it right, you already know that Ableton, the Berlin-based music software giant, has announced Live 10, the first major upgrade in the DAW in five years.

Here is what the web is saying:

  • Fact Magazine: “gigantic list of improvements” “the most significant change is that Max for Live is now fully integrated into Live” “new multi-channel audio routing capability for surround sound performances” “improved modulation”
  • The Verge: “a lot of new, notable changes to Live.” “One of the more exciting new features in Live 10 might be initially glossed over by many: Collections.” “at last, the option to export audio as .MP3.”
  • Engadget: “if you start playback mid-note, you won’t hear it — annoying for long strings sounds, for example. A new “Note chasing” feature solves that” “For those (like me) who seem to give their best performance while not recording, there’s ‘Capture.'”
  • DJ Mag: “At the top of the list is a new instrument called Wavetable” “a much needed new delay plugin Echo has been added” “the ability to edit multiple MIDI clips at once”

    Here’s some more information in Spanish and in German.

    Reverb.com even went so far as to create a playlist of some of the newest sounds you can make:

    Stay tuned as we plan on holding some seminars and MeetUps to celebrate the release of Ableton 10. Signup for the newsletter to be sure:

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